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Identity, presence, and perception remain deliberately unstable. The familiar can become a figure, a sign, or an apparition; an image may also exist for its immediate impact, its colour, its materiality, or its power of seduction.

This work explores the ways in which photography can shift reality without having to transform it entirely. An image can reveal an ambiguity, a tension, or a sense of strangeness already present in a situation, a body, or a form.

The work develops as a vocabulary of images, built through correspondences, contrasts, and resonances.